Posted by Victor Keegan
on October 26, 2017
PAUL OLDING has a bit of an advantage over the rest of us when it comes to planting a vineyard. He has already written a much praised book on the subject, “The Urban Vineyard” based on a tiny one of his own on an allotment in Lewisham, south London. Now, in fulfilment of a long held dream, he is going rural with Wildwood, a lovely one-acre vineyard on a sunny south/south-eastern facing hillside off a bridle path in vine-friendly East Sussex.
Having endured tortuous procedures to get planning permission both for the vines and a shed he then suffered the freak late frost after bud burst that hit vineyards throughout the UK inflicting wholesale damage on the crop. But those and numerous other problems are in the past. Now he and his family can now look with satisfaction at a thoroughly professional vineyard with no noticeable side effects from the frost.
It was a very un-Brexity multinational effort: vines and wires from Germany, end posts from Belgium, the larger cabin from Latvia, the smaller one from Slovenia, a tractor insured in Wales and a toilet from Ireland installed by Romanians. Skilled Romanians also put in all the posts (and planted the vines) as is common in English and Welsh vineyards. But the wine will be unashamedly English.
When? Paul, who is 44, believes in letting the roots settle and is planning only a small harvest in 2018 using two bunches from the stronger vines with a full harvest planned for 2019. The plot was purchased in 2014 but it took 18 months of preparation doing such tasks as reducing the acidity of the soil by spreading lime.
He is growing (highly popular) Bacchus, Regent and two varietals of Pinot Noir. This is clearly a fun thing for him and he is not expecting to make much of a profit and especially not if the huge cost of land is factored in. There are no plans to give up the day job as a TV producer/director (including some of Brian Cox’s films). With an acre of vines and several more acres of ancient woodland attached slithering down to a happy stream he has already created his own dream world. But he will still have to pray for good weather.
I am hoping to keep an occasional eye on Paul’s progress. You can buy his book at http://theurbanvineyard.co.uk/.
His website is wildwoodvineyard.co.uk
Posted by Victor Keegan
on July 27, 2016
Vines at Sharpham in Devon leading down to the river Dart
THE AMAZING resurgence of UK vineyards in recent years has overwhelmingly been the story of sparkling wines which have been so festooned with gold medals that even French champagne makers have woken up to it. But is the same success about to happen to our still white wines which have languished in the shadows for so long? You could definitely draw this conclusion from the recent English and Welsh Wine of the Year competition where an astonishing 20 out of 32 gold medals awarded went to white wines of which no less than 11 were made from the appropriately named Bacchus grape (after the god of wine) which is emerging as the UK’s still wine of choice for consumers. Several other non-Bacchus wines also struck gold including chardonnays from Chapel Down’s Kits Coty vineyard and from the long-established New Hall in Essex.
This competition was blind tasted by Masters of Wine judged, it is claimed, to international standards which means that there ought to be no national bias. The trouble is that at the more recent Decanter blind tasting – which includes wines from everywhere and not just England and Wales – there were no golds for Bacchus or indeed any other still wines from the UK though there were three silvers (plus a few more for other still whites). This is par for the course for international competitions. So what on earth is going on? There are various explanations. It could be that domestic Bacchus producers did not enter in sufficient numbers for Decanter. Maybe there a subconscious patriotic preference for home producers by the judges. Not at all unlikely. Or , just possibly, the success of Bacchus in domestic competitions is a lead indicator of what is to come in international blind tastings. After all, our sparkling wines were hailed at home long before they started winning prizes in international competitions. Or, perish the thought, wine tasting is a much more random operation that its participants like to admit.
Either way, there are lessons here. Maybe the new vineyards being planted here which are overwhelmingly of the three varieties that make up classic Champagne wines – Chardonnay, Pinot Noir and Pinot Meunier – should look to plant more for still wines. Of course, if the market changes, it is easy to produce still white from Chardonnay vines and still red from Pinot Noir, which is gradually improving in quality in this country. But Bacchus, which is a cross between hardy Germanic varieties Mullar-Thurgau and Sylvaner x Riesling, is clearly emerging as the cheer leader for UK wines with a name to conjure with.
Bacchus wines are not cheap being mainly priced around the £14 mark though at the time of writing you could get a Brightwell Bacchus at £9.99 from Waitrose and a 2014 from Chapel Down for £11.50 from the Wine Society. Waitrose is the best place to look for English and Welsh wines if you are not buying from a vineyard, not least because they occasionally have special offers with cuts of 25% or more and they have over a 100 English and Welsh wines on offer. The choosey Wine Society (lifetime membership £40) has a much more limited but high quality list including a couple (non Bacchus) at under £8. Both organisations have free delivery if you buy by the case.
So it looks as though Bacchus will be a premium priced wine like our sparkling wines. If you haven’t got the economies of scale of overseas producers it makes sense to sell on quality. The name Bacchus can be used by anyone but the way things are going it could establish itself as a distinctively branded English still wine. That would be something worth waiting for.
Posted by Victor Keegan
on June 19, 2016
LONDON has long been an international centre for wine but none of the growing or production has happened in the capital for centuries. Now things are changing, albeit on a small scale. The latest news is that the admirable Vagabond Wines, where you can buy up to 100 wines by the glass (which would be attractive to punters wanting to try out English or Welsh wines) is planning to build a winery in London to make wine from grapes grown in this country. This means that London could soon have two wineries of its own following the pioneering efforts of London Cru in Earls Court.
Yesterday (Saturday) I added another London vineyard to my experiences when I visited one I was previously unaware of in Morden (See photo, above) at the southern end of the Northern Line in the middle of suburbia. It is quite sizeable for an urban vineyard with over 300 vines but there is no way you would know it was there as you can’t see it from the street and the owners understandably intend to keep it that way and asked me not to reveal its location.
From here they have been making white, red and rosé wines since the mid 1990s on reclaimed allotments from well tried cool-climate varietals such as Triomphe, Dornfelder and Dunkelfelder which they turn into wine at their own well-equipped micro winery. What they don’t drink they distribute to friends and relatives. They kindly gave me a bottle of white which I look forward to sampling.The terrain is not text book ideal – soft clay soil on ground that slopes the wrong way – but it seems to work. Even when you are in the house it is a bit of a maze to find the exact location but well worth the unique experience of viewing suburbia from a secret vineyard. If anyone knows of any other vineyards in London however small please contact me on firstname.lastname@example.org.
From Morden it was only a few stops on the Northern Line to Tooting Bec station where I somehow managed to find my way to the vibrant Furzedown Festival to collect my annual allocation of four bottles of Chateau Tooting which makes wine from grapes grown in gardens and allotments across the Capital. You are allocated bottles in proportion to the weight of grapes you put in. This year – a rosé made into wine by the highly regarded Halfpenny Green vineyard in Staffordshire – was sweeter than last year’s excellent offering but very drinkable even though I don’t have a sweet tooth. Chateau Tooting makes north of 600 bottles and is the second largest wine priducer in London.They seemed to be doing a roaring trade at their stall yesterday.
This morning – yes, this is definitely London wine collection weekend – I trekked to Enfield in North London to the 10 acre Forty Hall (photo, left) which is emerging as the most exciting vineyard in London for a very long time. I bought a few bottles of its Bacchus, which has been well received by early imbibers plus an Ortega. Its second sparkling wine will be released later in the year probably only for patrons until production gets fully underway. Forty Hall is an organic vineyard run by volunteers, some of whom have social problems which are greatly helped by the therapeutic value of vineyard involvement. I felt a bit better just by strolling around. The wine is made for them by Davenports, the highly respected Sussex winery, and the combination of the two organisations looks like a highly encouraging blend.
Chateau Tooting’s stall at the Furzedown Festival)