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Britain at its most picturesque – the Wye Valley wine trail

Posted by Victor Keegan on June 08, 2015
Engilsh vineyards, Uncategorized / No Comments
Parva1

Sheep at Parva Farm vineyard in Tintern

 

THE WYE VALLEY has a strong claim to be the cradle of the tourism industry in Britain. When Continental wars deprived monied people of the Grand Tour in Europe they perforce turned homewards and the Wye Tour from Ross-on-Wye to Chepstow – passing Goodrich Castle and Tintern Abbey – became the trip to make for them and for poets like Wordsworth and Thomas Gray not to mention painters such as Turner.
It is almost the last place you would think of today as a vineyard destination. That is because we define our vineyards by county or pre- defined regions and can’t easily cope with a river haven like the Wye Valley which transcends countries – Wales and England – as well as counties (Gloucestershire, Monmouthshire and Herefordshire). But today it has a strong claim to be a vineyard destination as well.
Travelling up the Wye from Chepstow the first vineyard you come to is Parva Farm on the left of the river (open all year) stunningly situated up a steep slope in Tintern overlooking the river and, if you reach high enough, the Abbey.  Its wines have won a stack of silver and bronze medals. Marks and Spencer recently asked for as much of its Bacchus as they could spare.
A few miles up river at Monmouth you can visit Ancre Hill Estate (April to end September) a biodynamic vineyard which burst on to the scene two years ago when its 2008 (Seyval) white was voted the best sparkling wine in the world at the Bollicine del Mondo in Verona beating off competition from established champagnes. This was an astonishing achievement for a new Welsh vineyard which even my Welsh friends have difficulty in believing.  On a sunny day eating a lunch of their local cheeses, vines stretching out before you, with one of their lovely sparkling or still wines (Pinot Noir, Chardonnay etc) is a great joy.
Further upstream at Coughton, near Ross-on-Wye, on the site of a Roman vineyard, is newcomer Castle Brook whose delicious Chinn-Chinn 2009, made with classic champagne grapes, recently won a gold medal and was voted the best sparkling white in the whole of the South-West Vineyard Association’s area beating off the likes of Camel Valley in Cornwall and Furleigh in Dorset. Castle Brook is owned by the Chinn family, probably the biggest asparagus growers in the country. It is open by appointment but wine can be purchased online.

CastleBrook

Christopher Chinn of the Chinn family who have diversified from asparagus into sparkling wines

Further north, less than ten miles from the Wye with a good restaurant and accommodation is the highly regarded Three Choirs whose 80 acres produce fine prize-winning wines, including gold. The vineyard also makes wine for dozens of other vineyards. If you take into account the whole vineyard experience – including the quality of wine, the setting, the food and the atmosphere, this one is up with the very best.

ThreeChoirs

Three Choirs, one of Britain’s oldest and most successful vineyards

Strawberry Hill

Banana trees at Strawberry Hill

Strawberry Hill vineyard, so close to Three Choirs that you could almost use it as a spittoon, is one of the most unusual vineyards anywhere and one of my favourites.  It makes good wines (some stocked by Waitrose) partly from over an acre under glass enabling it to grow Merlot and Cabernet Sauvignon  not normally possible in England.
It claims to be the only vineyard in the world growing commercially under glass, which no one has yet contested. As if that isn’t enough, it  has rows of flourishing banana trees – growing outside! – as well.

There are plenty of other vineyards in The Wye Valley (depending on where you draw the boundaries) including a new 3.5 acre one at Wythall in the grounds of a stunning Tudor mansion, Lullham, the wonderful Broadfield Court, also Coddington,  now under happy new ownership, Sparchall and a micro vineyard The Beeches at  Upton Bishop. This is by no means a complete list. If all these can’t generate a vineyard trail I don’t know what will. If Wordsworth were alive today, I wonder if he would have  written about Wines  a few miles above Tintern Abbey rather than  his celebrated “Lines written a few miles above Tintern Abbey” .Either way Galileo’s description of wine as sunlight held together by water has a unique resonance in the Wye Valley.

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Was the White House in Washington named after this vineyard in Wales?

Posted by Victor Keegan on March 04, 2015
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Jabajak2

The white house of Jabajak vineyard

IT IS a curious fact that the great English wine revival was really started in Wales by a Scot. The Earl of Bute established two vineyards in Glamorgan at Castell Coch and Swanbridge. From the mid 1870s until the 1914/18 war – when supplies of sugar needed for fermentation dried up – he and his son ran the only commercial vineyard in the UK. This ended the Dark Ages of UK wine production and proved to subsequent UK pioneers that if white and red wines could be successfully made in South Wales then the prospects must be good for other  parts of the UK.The Bute vineyard at Castell Coch is now a miniature golf course (below) but the revival of Welsh wine is now in full swing and gaining international attention.

The flagship is the newcomer Ancre Hill Estate of Monmouth, run by the engaging Morris family, which broke the English monopoly of gold medals when its 2008 white was voted the best sparkling wine in the world – against competition from Champagnes – at the prestigious Bollicine del Mondo blind tasting in Italy. Since then it has won a further clutch of gold and silver medals and is in the middle of an expansion which involves new acreage at a nearby farm and a state-of-the art biodynamic winery.
But Ancre Hill is merely one of a flourishing network of vineyards in Wales which are starting to make their mark in the wider world. The most interesting newbie, is Jabajak. (picture above)  (Don’t reach for your Welsh dictionary – it is an anagram of the initials of its founders). At the moment it is an anomaly; a vineyard without wine. This is because they dumped last year’s crop as not up to the standard they are seeking so their first wines won’t be ready until May. But the rest of the infrastructure is in place including rooms, 3.5 acres of vines, a carp pond and a restaurant already producing first class food including scallops which were among the best I have tasted and delicious Welsh lamb.
As if this isn’t enough they have a potentially killer selling point. It is in their lease that they must keep the main house painted white, a condition laid down when it was a farm owned by David Adams who subsequently emigrated to America and whose grandson (John Adams) and great grandson (John Quincy Adams) both became Presidents of the United States. It was during John Adams’ presidency that the President’s abode was first referred to as the White House even though this was long before it was actually coloured white. Locals in this part of Wales believe it was called the White House because of stories handed down by the Adams family that the white house in Wales was where the decisions were made. Whether you think this is a load of jabajak or not doesn’t matter: if people start believing it over the water, they may have to build a new airport here to meet demand.

CwmDeri

 

Seventeen miles west of Jabajak surrounded by the Pembrokeshire National Park is the most curious vineyard in Wales, Cwm Deri (“Valley  Oak”) Estate (picture, left).  Not only does it have four of its own shops (one at the vineyard and others in Cardiff, Bridgend and Tenby) which is  unusual for a vineyard but it also sells grape wines mixed with other fruit wines as well as conventional ones. I sampled a wild damson with  medium dry rosé  in the conservatory  restaurant overlooking the vines which tasted like I imagine a damson Kir would.
There are a number of other interesting Welsh vineyards which I have covered in previous blogs including the lovely Sugarloaf Vineyards near Abergavenny, the recently created White Castle vineyard at Llanvetherine, the surprisingly good Parva nestling above the tourist haven of Tintern and the doyen of them all  Glyndwr which has been making steadily improving wines at a blissfully secluded six acres at Llanblethian since 1982 much of which goes to Waitrose.
Among other well established vineyards Llanerch stands out as providing the best overall package with very nice food and drink with a restaurant, outside tables, shop and a local walk.
Another one to look out for is Llaethliw (“colour of milk”) in Dylan Thomas country near Aberaeron where Plumpton-trained Jac Evans, aged 24 bides his time between working on an oil rig near Aberdeen and tending  his parents’ 7 acres of vines with another 15 acres to be planted over the next two years. Last year 1,600 bottles were sold out before Christmas. This year he hopes for 6,000. Wales is on the move.

@Britishwino @Jabajak @ancrehillestate @cwmderi

CastellCoch

The golf course at Castell Coch which was once a pioneering vineyard

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Did the English invent sparkling wine from their own vineyards?

Posted by Victor Keegan on November 16, 2014
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IT IS NOW well accepted, that the English invented what came to be known as the Méthode Champenoise thanks to Tom Stevenson’s amazing discovery of a paper presented to the Royal Society in 1662 by Christopher Merret of Gloucestershire. Stevenson’s assumption was that the English were using their sparkling wine technology to make imported still French wines fizzy.This couldn’t have happened in France because their bottles were so fragile they would explode during a secondary fermentation (and, anyway, they didn’t have corks). The English had a lead of at least 20 years in sparkling technology.

But could it be that the Brits were also producing fizz from still wine made from grapes grown in England? If so, this would mean that the current boom in home produced sparkling wine is merely a revival of something we pioneered from our own vineyards.
I have just been reading – thanks to Google scanning it – William Hughes 1665 classic, The Compleat Vineyard which strongly suggests that the Brits had been making sparkling wine out of home-grown grapes for quite a while.
Hughes admits that most of our wines were imported but he also points to
vineyards in Essex, in the west of England, and Kent, which “produce great store of excellent good wine”. Indeed the entire book is about growing grapes in England.

Among various suggestions, he says: “If the wine be not brisk, how shall we make it without the addition of Sugar, Vinegar,Vi?riol & to sparkle or rather bubble in the Glass”.

He has another suggestion for English wine: “Suppose you have a piece of Wine which naturally is too sharp for your drinking, you may draw it out into bottles, and in each bottle put a spoonful or two of refined sugar, and so set them in sand in a Cellar, and let them stand a considerable time before you drink it, and you will find it a pleasant and good Wine”
All this was contained in The Compleat Vineyard” which is a do-it-yourself manual about growing grapes in Britain. My edition was published in 1665. It must have been several years in the writing and printing and he must have been describing what were quite common practices. Isn’t it high time we celebrated this achievement more vocally to assist the success of our sparkling revival? There was an interesting conversation on Twitter recently suggesting that April 23 (St George’s Day and Shakespeare’s birthday) should be designated English Sparkling Wine Day. It would be a shame if it bit the dust.

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Vineyards of tomorrow

Posted by Victor Keegan on November 14, 2014
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Colour changes at Bride Valley

WE HEAR a lot about well established estates winning prizes – but what about the vineyards of tomorrow? I have been looking at a few ventures still at the incubation stage and they couldn’t be more different. Bride Valley is at Litton Cheney set in beautiful Dorset countryside (above). Its sparkling wine is eagerly awaited within the trade because Steven Spurrier, who owns it with his wife Bella, is globally admired as a wine expert and is taking something of a risk in suddenly deciding to practise what he preaches by establishing his own vineyard in his seventies. It is a bit like a theatre critic deciding to write their own play.
 Among numerous distinctions Steven set up the Judgement of Paris in 1976 when wines from California, unexpectedly, beat top wines from France in a blind tasting dominated by French tasters but including himself. Now the taster is to be tasted – though judging by a rather delicious sample of  their Classic Cuvee 2011 (almost entirely Chardonnay) I had from of the few early bottles I don’t think he has anything to worry about.
Bride Valley covers 25 acres spreading across several lovely Jurassic shale hillsides. It looks equally good in summer or in Autumnal mists when the red and yellow tints can warn vineyard manager Graham Fisher of differing soil conditions underneath or nutrient deficiencies. For instance, although the land has a chalk base similar to the terrain of Champagne country too much chalk can yellow the leaves while sudden reddish tints can indicate fractured canes.  The grapes are made into wine at nearby Furleigh Estate which has won gold medals for its own wines. It is in safe hands.
   JAGAJAG in Carmarthenshire, South Wales, by contrast, is a vineyard without wine. At least, not yet. It has a fully fledged infrastructure – including fine rooms and a highly regarded restaurant – but no bottles to sell. In 2013, a good year for UK grape growers, Jagajag had to abandoned its crop as the fruit wasn’t good enough. But they persevered and with a much healthier looking crop in 2014 they are hoping to have bottles ready to sell for next year. The quality of wines in Wales, led by multi-gold winning Ancre Hill Estate in Monmouth, has risen dramatically in recent years and it will be interesting to see whether Jagajag’s patience is rewarded.

Frank Myers at Wythall

WYTHALL, over the border in Herefordshire, is another contrast. It has grapes but no infrastructure from which to sell at the moment. However, if you are planning to attract visitors to a new vineyard then having a 500 year old mansion house is unlikely to prove much of a handicap. Frank Myers (above) has singlehandedly planted nearly 3,500 vines  on 3.5 acres at Wythall, near Ross-on-Wye which has been owned by the family of his wife (the Euro-MP Anthea McIntyre) since the early 17th century. And they have documents to prove it.
Frank –  a successful businessman in his own right – has had a dream about being involved with a vineyard ever since his childhood in the centre of Manchester where, he says, he rarely saw a tree.  The main field (above) curving off to the right looks a bit like a dog leg on a golf course. He admits he may have to cut a few trees down to admit a bit more light but is pleased with this first crop which is to be turned into wine by the highly regarded Three Choirs vineyard at nearby Newent which provides an ecosystem for dozens of growers in the area. If his plans pan out and the wine is good enough this will be a lovely vineyard to visit.
EVEN smaller is the vineyard on the Sussex/Kent borders planned by Paul Olding who has served his apprenticeship on an allotment in Lewisham, London where he has been making his own wine- up to 100 bottles of Olding Manor – for some years as a preparation to realising his and his wife’s dream of having their own vineyard. Now they have purchased land  in east Sussex at Eridge Green including 1.5 acres on which they will start planting vines in 2016 after tilling the soil for a year. It will be interesting to see how this develops and one wonders how many other enthusiasts have been starting their own small vineyards up and down the country to become part of the revival of UK winemaking. Let me know . .
LAST, but certainly not least is Rathfinny which I visited recently. Its first wine (all sparkling)  is not due for a couple of years but its plan to produce a million bottles of fizz from a planned 400 acres has already sent shock waves throughout the industry. Pessimists say there is no way they will be able to sell a million bottles without disrupting the nascent UK sparkling wine industry. Optimists point out that a million bottles is barely one percent of the UK domestic fizz market and the growing quality of English wine will see off the competition and boost exports.
THESE four examples are typical of what is happening in the UK where big growers are starting to think on a global scale while boutique vineyards are happy to service very localised – but premium – markets  from their cellar doors enabling them to retain the wholesale and retail profit margins.

Wythall, 500 years on

Cameron Boucher, vineyard manager at Rathfinny

 The interesting fact is that well over 90% of all new plantings are of grape varieties that go to make sparkling – particularly the classic combo of Chardonnay, Pinot Noir and Pinot Meunier which is used for Champagne. I see no reason why UK wines should not go on from strength to strength. If they don’t then at least we will all be left with stocks of prize winning fizz with which to drown our sorrows.

 

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The Jurassic wines of Dorset

Posted by Victor Keegan on November 02, 2014
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Furleigh Vineyard

THE GEOLOGY of Dorset which has made the Jurassic coast an international heritage site is now helping to build a thriving new industry: vineyards. The soft rise and fall of the terrain – with a structure similar to  the Champagne area of Northern France – almost cries out for grapes to be grown. And so they have been. During the past couple of years the wines of Dorset have graduated from being merely interesting to winning top prizes. And I don’t doubt there’s more to come. Furleigh Estate, an attractive vineyard/winery hidden at the end of a long track off a remote country lane near Bridport, started the ball rolling by becoming the first English vineyard to win a gold medal at the very prestigious French wine tasting competition Effervescents du Monde almost two years ago with its Classic Cuvee 2009. Its winemaker Ian Edwards was voted UK Winemaker of the Year.

Liam Idzikowski of Langham

LANGHAM Wine Estate near Dorchester is  hidden like so many English vineyards along a maze of narrow country lanes. Earlier this year it not only won the Judgement of Parsons Green against 100 other top sparkling English wines with its 2010 Classic Cuvée – you can put down that telephone, it’s out of stock – but was also awarded 8th place with its  Reserve Blanc de Noirs. Not bad for a first year’s production and an impressive feat for its admirable Irish winemaker Liam Idzikowski (pictured, right) who kindly showed me the winery and vineyard which manages to employ modern techniques without losing the atmosphere of the farm that gave rise to it. Langham expects to produce 35,000 bottles this year, double last year not including 5,000 bottles produced for a nearby vineyard. Like so many other vineyards in Britain nearly 90% of the wine is sold locally, a good business model which enables them to retain the retail and wholesale profit margins and avoid heavy marketing and transports costs.

ALSO IN THE gold medal league, though your won’t find it on any label, is Wodetone Vineyard (bottom, left) overlooking the Dorset coast where Nigel Riddle farms 30 acres of the classic Champagne varieties that all go to nearby Furleigh for making into wine under their label. Nigel seems quite content with being a gold winner at one remove as it removes all the hassle of making, selling and marketing.
ANOTHER Dorset vineyard which we will definitely be hearing more about is Bride Valley owned by the wine guru Steven Spurrier and his wife Bella and managed by seasoned vineyard manager Graham Fisher. I intend to write more about this fascinating vineyard in my my next blog but we were treated to a glass of Bride Valley, 2011 (Classic Cuvee) from their first sparkling harvest, only available in small quantities which was delicious. It is another important factor in Dorset’s rising reputation for sparkling wine.

Andrew and Sarah Pharoah of English Oak

NOT FAR away along south Dorset’s golden strip is English Oak named after the handsome tree that stands on part of the carefully manicured 16 acre vineyard run by Andrew and Sarah Pharoah (left) who, amazingly,  prunes every vine herself. That’s love for you. I came here because my wife and I were dining in a restaurant in Dorchester last year and were surprised to find on the menu an English wine we had never heard of (in addition to our surprise at seeing an English wine at all in a restaurant). We both thought it was very good and so I was not surprised to learn during my visit that they had already won silver medals and are hoping for gold. Since they are lucky enough to have the the triple- gold winner Dermot Sugrue of Wiston – another Irishman – as their wine maker they have as good a chance of any to make this dream come true. They don’t have a cellar door but they sell almost all they produce (only sparkling) locally in Dorset. This year they have produced 20 tons of grapes which works out at about 15,000 bottles, twice last years crop following nothing at all in the nationally disastrous 2012.

Melbury Vale’s cellar door and van

AT THE OTHER end of the scale is Melbury Vale, south of Shaftestbury, (left) run by Joseph and Clare Pestell which has only two acres of its own – though more are on the way – but makes wine for eight other small vineyards locally covering 20 acres. Like so many others all its wines are sold locally either from its cellar door it to local establishments. Joseph says they will produce about 1,000 bottles this year similar to last year. It would have been twice as much except that they lost all their Pinot Noir to disease which, Joseph thinks, would have been good enough to turn into  red wine. What is happening in Dorset is not untypical of a number of other counties where almost romantic enthusiasm, combined with increasing professionalism, is regularly raising the quality of the country’s wines. Everything is going for English (and Welsh) wines at the moment except the weather. And even that has been kind for two years running.

Lovely Autumn tints at English Oak

Wodetone


 

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Meet England’s new backgarden vineyards

Posted by Victor Keegan on October 17, 2014
champagne, Engilsh vineyards, Uncategorized / No Comments

MARKO BOJCUN is part of tiny workers’ co-operative vineyard called Hawkwood in Epping Forest, part of the OrganicLea community. This year he lost around 90% per cent of his own grapes to wandering deer and downy mildew. That’s the trouble with having a vineyard surrounded on three sides by trees. But his artisan winery also makes wine for 26 people in the neighbourhood who brought 375 kilos of grapes to him for processing. This is enough to make 250 bottles of wine which probably makes him the second largest of the new co-operatives in London after Chateau Tooting, the crowd-sourced experiment which I last wrote about here  which hopes to make 750 bottles compared with 662 last year.

Loading Chateau Tooting’s harvest en route to the winery

 In turn this could make Marko the third largest crowd-sourced winery in the country after Eden Vale in Cumbria - one of the most northernly vineyards in Britain. Eden hopes to produce 800 bottles this year – double last year – all from grapes grown in local greenhouses and conservatories. The increased quantity was thanks to a great response to an appeal for grapes in their local paper – a move which other budding co-ops may like to follow. They tell me that 650 of these bottles will be red (though so light it could be mistaken for rosé). At the moment it is not feasible to grow grapes outside so far north on a commercial scale . Angela and Ron Barker, the proprietors, admit that they will only get a pesky two bottles from their own (small) open air vineyard. But  if global warming continues then . . . watch this space.
The question is: are these three vineyards pioneers of a new trend that will spread around the country or just isolated examples of only local significance? None of them seem to have known of the others’ existence. They have all sprung up spontaeouusly in different places like mushrooms in a field. But in theory, they have a lot going for them. There is a resurgence of interest in UK wines buoyed up by global warming and increased technical ability. Lots of people have vines growing in their gardens and they soon get caught up in the romance of contributing to a wine partly made from their own grapes. Oh, and you don’t pay tax if it is for your own consumption.
Of course, the proof of the pudding is in the drinking. Imbibers, including myself, were quite surprised at the quality of Chateau Tooting’s product last year despite the fact that it was made from unknown grapes of varying sizes and quality from gardens across London which all had to be ready on the same day.
It is not only in GB. There is a resurgence of vine growing in the Paris area to complement the vineyard on the slopes of Montmartre which has been a tourist attraction for decades – but the price of land in central London and Paris rules out the prospect of large vineyards in the city centre.

Vineyard on the slopes of Montmartre in Paris

Forty Hall in Enfield from where you can see the Shard and Canary Wharf comes closest. However, space in gardens and allotments is a different matteer.  Patrice Bersac, president of L’association des Vignerons Réunis (the association of united Parisian and Ile de France winemakers) told the Daily Telegraph that the French authorities should take inspiration from Chateau Tooting’s iniitiative in London where grapes come from numerous gardens in the capital.

Meanwhile, I’d be very interested to hear about any wine cooperatives in the UK. If there are others it might make sense for them to create some sort of loosely run organsation where experiences can be exchanged.

 

 

From Forty Hall’s 10 acre vineyard in Enfield you can see the Shard and Canary Wharf

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Moment of Truth for Britain’s booming vineyards . . .

Posted by Victor Keegan on September 19, 2014
champagne, Chinn-Chinn, Engilsh vineyards, Merrett, Uncategorized / No Comments

Discussion time among the vineyard gurus

This year looks likely to be a record for vineyards in England and Wales – the second successive good year after a disastrous 2012. The question is what to do about it if, thanks to increased plantings and favourable weather, we are entering a period of surplus. So far premium sparkling wines, winning gold medals regularly have been very marketable but most vineyards exist by selling from the cellar door often at inflated – oops sorry – premium, prices because customers have been happy to pay extra for the novel experience.  I have encountered a lot of good wines as well as overpriced ones on my travels including sub-optimal English reds being sold for £20, £30 and even £50 to punters about to be hugely disappointed (including me . .). I have grown to love UK wines but they won’t be loved by the general public until prices come down a bit.
As vineyards enter the new era they will encounter not only the still prevalent psychological barrier among consumers (and merchants) against English and Welsh wine but the real barrier of price. Having spent a year drinking mainly UK wines and regularly asking dumb-struck restaurant waiters and bartenders for English and Welsh wines (unsuccessfully) I know the problem only too well. Maybe it is best summed by one gastropub owner saying: “There is no way I can pay more than £5 a bottle and hope to make a decent profit”.
So it was with great interest that I attended yesterday’s workshop organised by the UK Vineyards Association (UKVA) to map out a strategy for the future.
It was held in the beautiful 650-year-old Vintners’ Hall in the City of London where as you go in you pass a painting of a 17th century wine merchant Van Dorn who was famous for drinking four bottles of wine a day and looking none the worse for it, well in his painting.
Dozens of ideas were put into the pot including the need for strong governance, profitability, collaboration between growers, recognition of excellence, educating the young, a centralised web site, a single body to represent the industry, product placement, promotion by tourist boards, brand ambassadors, enforceable quality standards and sustainability (for profits as well as the environment) and so on.
There was a general feeling that the sparkling sector should develop its own personality and not ape Champagne. Instead of trying to dream up a single word “brand” everyone seemed happy to use “English Sparkling” not least because the word England is a strong selling point abroad – though Sussex likes the alliterative “Sussex Sparkling”.
 There are two big gaps. We are supposed to be living in the age of Big Data but neither the government nor the industry actually knows how may vineyards there are nor what current sales are. It is left to the redoubtable Stephen Skelton to estimate-  in the UKVA house magazine The Grape Press – that wine produced from UK vineyards in 2014 could reach 6.4 million bottles compared with a ten year average of 2.95m bottles. This sounds huge but UK production, with a good product to sell, still accounts for barely more than one per cent of the domestic market. Other industries would kill to be in that position.
 Where the industry has been painfully slow is producing an app for smart phones that could tell you how far you are from the nearest vineyard, opening times with “buy” buttons and also able to snap wine labels which are recognised and stored in a central database. The aim would be to produce a community of UK wine drinkers exchanging experiences. It turns out that vineyards in the south-west will soon have an app of their own and all credit to them. The problem is that it only works for the South-west when there should be one for the whole UK.  And, they are planning to charge £2.50 for it which, believe, me is a mistake as there is a huge reluctance to pay for this kind of app. It should have been free, funded by the vineyards who would get their payback from increased custom

That is but one example why the industry needs a single integrated entity to talk to government and the EU besides acquiring a funding mechanism through a bottle levy (discussed for years but never implemented) so the necessary investment can be made. I am a big fan of UK wines sparkling and still. Vineyards have a great opportunity to make a serious contribution to the UK economy – but they need to get their act together quickly not least by using increased output to lower prices. If they don’t do it the market will do it for them in a merciless manner.

Victor Keegan @BritishWino, @vickeegan

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The vineyards of Herefordshire . . . Herefordshire ?

Posted by Victor Keegan on September 14, 2014
champagne, Choirs, Engilsh vineyards, Merrett, sparkling wine, Uncategorized / No Comments

The historic vineyard at Castle Brook


HEREFORDSHIRE – where I spend a fair amount of time – could have been forgiven for feeling it had been dealt a raw hand by Bacchus. If only the county boundary line had been drawn a couple  of miles further out  in the south-west, it could have taken in the multi-gold winning Ancre Hill Estate in Monmouthshire. And if a few miles had been added on its north-east frontier  it would have bagged Three Choirs, one of England’s most successful operations.
Herefordshire, however, still has some interesting vineyards and could be at the start of a roll. While I was  researching this blog – an arduous task supping wine at every stop – it was announced by the South West Vineyards Association that Castle Brooks’s Chinn-Chinn 2009  had won gold and been voted the best sparkling wine in the South West, an area that includes a lot of very prestigious estates. It is probably the only wine that can get away with calling itself Chinn-Chinn because that is the family name. Chinn, who are also the biggest asparagus growers in the country, have lived here near Ross-on-Wye for centuries.  Wine is still a minor crop for them but, as I saw for myself, they take great care of their lovingly manicured five acres set in beautiful countryside in a historic part of the county which was mentioned in the Doomsday Book and used to be on the path of a Roman road.
Until Chinn-Chinn struck gold, Herefordshire’s main claim to fame was not quality but quantity. Sunnybank Vine Nursery in Rowlestone is the home of the National Collection of Vines with over 450 different types  – more than the rest of Britain’s vineyards put together.  I visited it yesterday on its annual Open Day  where owner Sarah Bell explained that the collection was under the watchful eye of Plant Heritage and was mainly aimed at enthusiastic amateurs who can buy cuttings or young vines for their own use. For easy growing and disease resistance she recommends Seyval for white wines  and Regent for red.

Broadfield Court

 

Broadfield Court (left) is one of the delights of the county, a charming country house  with 14 acres of vines and a cafe/restaurant where you can linger in the open air in summer with a snack or meal over a pleasant glass of wine (£3.50 a throw for their special reserve when I last paid a visit). It is the best all-round wine experience in the county.

But there are rivals kicking at its heels. Simon Day, who comes from the family that set up Three Choirs, recently bought the wine making equipment from Coddington vineyard in Colwall and has set it up in Ledbury where he will process Coddington’s wine  for the new owners while at the same time making wine from the  16Ridges vineyard in Worcestershire processing it in Herefordshire and selling it from the delightful Three Counties Cider Shop in the middle of Ledbury. Simon is also planning in the longer term to plant 20 to 25 acres (he has already done four acres) and to build a bigger winery. Watch this space.

Ledbury is not far from Frome Valley (below, right)), another delightfully situated vineyard  for which Simon Day is also turning the grapes into wine. It has a very pleasant entrance and tasting area in an old country house and sells a range of wines starting with a very quaffable Panton Medium Dry at a reasonable £7.50. James Cumming, who manages the vineyard also has a small one of his own in the West country.

Other Hereford vineyards include Lulham Court near Madley which  produces very pleasant wines(which can be purchased from the Coop in Newent)  from their three acres but at much higher prices that shown on their out-of-date web site. Beeches at Upton Bishop is a small vineyard run by John Boyd. Among others it supplies the neighbouring restaurant, the Moody Cow with its fine wine  while on the other side of Ross-on-Wye not far from Chinn Chinn Frank Myers and his wife Anthea Stratford McIntyre the European MP started a 3.5 acre vineyard three years ago in the gardens of their beautiful 17th century house and it will be another year or two before it is producing.

There are a number of other smaller vineyards which may grow bigger as Herefordshire stakes it claim in the amazing revival of the UK wine industry.

@BritishWino

Frome Valley

 

Open Day at the National Vine Collection

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The grapes of Rath . . . Britain’s biggest vineyard takes shape

Posted by Victor Keegan on August 20, 2014
champagne, Engilsh vineyards, sparkling wine, Uncategorized / No Comments

 

Rathfinny’s first grapes

IF YOU want to speculate about the future of English sparkling wine look no further than the soft undulating hills of Rathfinny Estate in east Sussex, the biggest gamble in the history of this nascent industry. It has already had more publicity than most of the rest of the UK’s 400 plus vineyards put together even though it has yet to produce its first glass of wine. On a flying visit yesterday I had to content myself with a glimpse of the first grapes (see above) and I had to walk quite a long way down the vineyard even to see those. Cameron Boucher, the highly experienced vineyard manager from New Zealand (below) says they have already planted 150 acres of the 400 planned which would make it the biggest vineyard in the UK and one of the biggest in Europe. He says the first of the smaller quantities of still wine will be produced next year, though it may not go out under the Rathfinny brand. It will be several years yet before its flagship sparkling has matured in bottle long enough to be released on to the market.

 

Cameron Boucher, vineyard manager


 Mark Driver, who left a lucrative job in the City to plough £10 millions of his own money into Rathfinny, is in danger of giving hedge funds a good name. He is nothing if not ambitious, planning to go from scratch to selling a million bottles of English sparkling against the established giants of Champagne about 90 miles across the channel who share the same chalky geological strata as Rathfinny.
Some people think he is barmy, others that he will usher in the next stage of the English (and Welsh) wine revival as it ups its game from a niche product to a serious industry. Having in my previous career as a journalist chronicled the remorseless decline of the UK’s manufacturing base over 40 years, I find it refreshing to observe a fledgling industry with such juicy prospects.
Of what other industry in Britain could it be said that it has a world-class product yet barely one per cent of its domestic market? Most of the wine produced in Britain is sparkling and we regularly win top honours. In the recent prestigious Champagne & Sparkling Wine World Championships England scooped 11 gold medals and 14 Silver, more than any other country except France.
Of course, it is not as simple as that. Vineyard guru Stephen Skelton (@spskelton) in his new book Wine Growing in Great Britain, points out that most of the growth in sparkling wine in the UK has come from Prosecco and Cava selling at well under £10 a bottle, a market that UK sparklers shy away from and that three quarters of Champange is sold at less than £20 a bottle which won’t leave much profit for low volume UK producers.
But, if warmer summers persist, a larger output could bring unit prices down in Britain and nowhere more than Rathfinny which stands to reap economies of scale as great as any in Champagne and on land that is considerably cheaper. But two things will be crucial to its success: it has to produce wine that wins top medals and – something manufacturing industry never had to contend with – it needs a succession of good summers.

English Wine Centre

 

 

 Before visiting Rathfinny we had our first trip to the long-established English Wine Centre at nearby Berwick  (left) which combines a shop selling a huge range of English (not yet Welsh) wines with lovely gardens, a hotel and a delightful restaurant serving a high standard of food which we enjoyed along with samplings of English wines of which the Nutbourne from West Sussex and Surrey Gold whites stood out for us.
We decided to walk there from Berwick station along the Vanguard Way, a picturesque path along the slope of the downs which brings you out a few hundred yards from the wine centre. We were late as it took us a while to figure out that the path went straight through the middle of a field of closely packed with seven feet high rows of sweet corn where GPS is of limited use.

 

Follow Victor Keegan on @BritishWino or @vickeegan

His London blog is LondonMyLondon.co.uk

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A toast to the 400th anniversary of the Englishman who invented champagne

Posted by Victor Keegan on July 25, 2014
champagne, Engilsh vineyards, Merrett, sparkling wine, Uncategorized / No Comments

Merret’s house is the second one on the right

It is 400 years since the birth of Chistopher Merret (1614 – 1695), the Englishman who first set out the principles of how to make what is now called Champagne. Dom Perignon came along much later. This weekend, the place where he was born – Winchcombe in Gloucestershire – is holding a small Festival of Fizz to celebrate this little-known occasion. In Merret’s time Champagne was a still white wine. If a secondary fermentation happened it was regarded as a disaster because it would explode the bottles which were then made of weak glass. In a paper to the newly-formed Royal Society in December 1662 (uncovered by the champagne expert Tom Stevenson 20 years ago) Merret described how winemakers deliberately added sugar to create a secondary fermentation. There was no explosion because English bottles, unlike the French ones, were made in coal-fired factories able to produce stronger glass than the traditional woodburning techniques. There was a shift to coal because wood was being prioritised for the navy because the Government was worried that a shortage of wood might affect the building of ships.
These days even the French admit that the English invented the “méthode champenoise”. Indeed the first mention of the word “Champaign'” anywhere was in English literature of the time.
While being delighted that Winchcombe is staging a festival this weekend  I am surprised that  the booming English and Welsh sparkling wine industry, which is awash with international gold medals, didn’t use the opportunity for a big marketing effort. I only heard about the festival two days ago when I read an eye-catching tweet from Oliver Chance of Strawberry Hill Vineyard (@englishbubbly) who said that Strawberry Hill was the nearest sparkling wine producer to the birthplace of the inventor: a great pitch but be careful, Oliver if you bump into @elgarwine – they could have a counter claim!

I am very grateful to Jean Bray, historian and journalist, – who is giving a talk on Merret at the White Hart Winchcombe at 6pm this Sunday (25th) – for guiding me to the house where he was born, a former pub called the Crown, on the corner of Mill Lane and Gloucester Street (see above). It is presumed, she said, that he was educated at the local grammar school – an Inigo Jones building now called Jacobean House – on the same side of the road opposite the church (just as it is presumed that Shakespeare went to his local grammar school though there is no actual evidence in either case). There are brass plates to his parents in the church on the right side wall as you enter (see, right).
Merret was a bit of a renaissance man excelling in other fields including compiling the first list of  birds and the source of fossils. The son of a mercer, he went to Oxford and worked in London while living in Hatton Garden (which had a large vineyard in those days) and was buried in St Andrew’s Church, Holborn where Dickens was baptised. I am sure the fizz festival will be a deserved success and I wonder whether it will spawn a bigger idea. Could it do for Winchcombe and English sparkling wine what Hay-on-Wye did for second hand books?
Meanwhile, we should all raise a glass of English fizz this weekend to toast Christopher Merret, the man who chronicled the invention of méthode champenoise before the French turned it into one of the most successful brands ever. Now is the time to bring it all back home.

The local grammar school built by Inigo Jones (above, eft)

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